Plein Air · Watercolour · Landscape
Original watercolour paintings created on location — capturing fleeting light, atmosphere, and the living landscape.
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13FEB-15MAR 2026
This exhibition is organized by “Love Like Breeze”, with thanks to “Storytelling” Café in Peng Chau for providing the exhibition venue, and to Joy in Art, the professional art supplies company, for sponsoring the workshop materials, as well as all the friends of “Love Like Breeze” for their generous gift sponsorship. Over ten plein air paintings created at sunset will be on display, and outdoor sketching workshops will be held on the afternoons of 1/3 and 8/3, allowing friends of all ages to experience the joy of plein air painting.
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13-20JAN 2026
This exhibition has invited more than 60 well-known watercolor painters in China. At the same time, there will be more than 200 exquisite works from well-known watercolor painters from more than 30 countries and Hong Kong, Macao and Taiwan. As a touring exhibition in Hong Kong Station, this exhibition will also present the wonderful works of more than 40 domestic artists and watercolor lovers selected from Quanzhou and more than 100 local artists in Hong Kong. In order to reflect the communion of injury and health, art knows no borders, and the exhibition artists from many social welfare institutions will participate in the exhibition by hand. It can be said that it is a rare feast of watercolor art in Hong Kong in recent years.
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20-26Dec 2025
From 20 to 26 December 2025, the exhibition will be held on the 4th floor of the Administration Building of the Hong Kong Cultural Centre, with more than a hundred pieces of artworks professionally selected by teachers and painters, as well as some watercolour demonstrations.
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Watercolours painted on location — from mountains to harbours, fields to city streets.
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Plein Air Tips
Practical advice gathered from thousands of hours painting outdoors.
Beginners often focus on painting what they know — a tree, a boat, a building. Instead, train your eyes to see the light falling on surfaces. Squint until detail disappears and only masses of tone remain. That contrast of light and shadow is the soul of a plein air painting.
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Outdoor light shifts every 20 minutes. Establish your key tones within the first 10 minutes and commit to them. Overworking a watercolour kills its freshness. Accept the happy accidents — a bloom, a backrun, a wet edge — they carry the energy of the moment far better than a laboured finish.
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A compact palette of 8–10 colours, a single round brush, a small block of paper and a water bottle is all you need. The lighter your kit, the further you walk — and the further you walk, the more unexpected compositions you discover. Simplicity forces creative decisions and frees you from the studio mindset.
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The hour after sunrise and the hour before sunset bathe every surface in warm, directional light that flattens at midday. Plan your sessions around these windows — the long shadows, rich ambers, and glowing edges transform an ordinary scene into something luminous. Arrive early, mix your washes before the light peaks, and let the moment do the work.
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Water is never one colour. Spend five minutes watching how it shifts — the dark trough of a wave, the silver flash at the crest, the turquoise shallows over sand. Paint water's behaviour, not its appearance. A few confident horizontal strokes with varied tone will always read more convincingly than a painstaking copy of every ripple.
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In watercolour, white paint is a last resort. The brightest light in your painting — a sun-struck wall, a foam crest, a highlight on wet stone — should be reserved white paper. Plan these areas before your first wash and paint around them. Once lost, no amount of opaque white will recapture the luminosity of bare paper catching the light.
More details →Plein Air Locations
Hand-picked painting locations across Hong Kong — each offering remarkable light, composition, and atmosphere for outdoor watercolour work.
Spot 01
Hong Kong's most painterly fishing village. Weathered stilt houses over tidal channels, drying fish, and traditional wooden sampans create endlessly rich compositions in warm, muted tones.
Open in Google Maps →Spot 02
The harbour front is alive with fishing junks, colourful sampans, and ferry traffic. The low morning light catches the painted hulls beautifully — arrive early before the crowds.
Open in Google Maps →Spot 03
One of Hong Kong's quietest outlying islands. Narrow lanes, old shop fronts, temple courtyards, and a small ferry pier make this an ideal full-day painting destination away from the city's pace.
Open in Google Maps →Spot 04
The best face-on view of the Hong Kong Island skyline. The harbour foreground, ferry wakes, and the towering glass cityscape beyond create a classic urban watercolour subject at any hour.
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About the Artist
Hello~ I'm Michael Ho, a Hong Kong–based watercolour painter devoted to plein air work. I paint on location, outdoors and from direct observation, chasing the shifting afternoon light across mountains, coastlines, and the city's edges.
My practice is rooted in the belief that working outside — in real weather, real light, real time — creates something a studio never can: a direct record of the present moment.
Beyond my own practice, I regularly hold exhibitions, live painting demonstrations, and watercolour workshops, often in collaboration with cafés, hotels, and community venues, to share the joy of painting from life and to bring art into everyday spaces.
Get in Touch
Interested in collecting my original paintings, purchasing limited edition prints, exhibition collaborations, or workshops? I'd love to hear from you.